Matchback

... yet another place to put stuff ...

Aug 6

Jul 5

“No doubt once HD has made itself more comfortable within the industry, it’ll stamp its foot for bolder changes, but in the meantime can we please extinguish the practice of over-grading? Who needs the extra definition if all we do is crush the blacks, bleach the whites and inject the chroma with a hallucinogen? It’s like having Teletubbies combust in your eye sockets.” Blog: Chopping and changing

Jul 1
“Paradise Lost
ADAM: Paradise has arbitrary dietary restrictions?
DEVIL: They’re really more like guidelines.
GOD: Incorrect.”
McSweeney’s Internet Tendency: Lit 101 Class in Three Lines or Less.

Jun 26
“The Bat-plan was simple: Base-jump off one Hong Kong skyscraper, smash through the window of another, grab the Chinese crime boss, then hitch a drag chute to a passing C-130 cargo plane for a daring aerial escape. And on to Gotham! An instant, no-fuss extradition in the best tradition of American vigilantism. Just another working day for Batman and, presumably, just another feat of digital wizardry for the visual effects team. Except for one thing: Christopher Nolan, director of The Dark Knight, wanted to do it for real.” Dark Knight Director Shuns Digital Effects for the Real Thing

Jun 23

Jun 19


Jun 15
“With its references to “unexplained acts of nature” and a science teacher main character who calls evolution “just a theory,” The Happening is basically a giant propaganda machine for intelligent design. Maybe science journalists are jizzing all over its allegedly realistic plants-attack-humans plot, but we talked to Shyamalan and we know the truth.” The Happening Review: “The Happening” Is the Biggest Intelligent Design Movie of the Year

Jun 14
“Our data suggest that achieving a tight control over viewers’ brains during a movie requires, in most cases, intentional construction of the film’s sequence through aesthetic means,” the researchers wrote. “The fact that Hitchcock was able to orchestrate the responses of so many different brain regions, turning them on and off at the same time across all viewers, may provide neuroscientific evidence for his notoriously famous ability to master and manipulate viewers’ minds. Hitchcock often liked to tell interviewers that for him ‘creation is based on an exact science of audience reactions.’ ” Film Content, Editing, And Directing Style Affect Brain Activity, Neuroscientists Show

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